Thursday, May 19, 2022

The Final Fantasy 14 Housing Lottery Is Finally Fixed

Final Fantasy XIV’s housing lottery is finally fixed after one month of being broken.  On April 16, an FFXIV maintenance update indicated that the latest lottery cycle for housing in-game was broken, so when checking the placard where winners were to be shown, the placard said there were no winners. This meant nobody could obtain a house. Polygon reports the issue has been fixed as of yesterday, and now, winning lottery numbers will be displayed correctly, and land purchases may be finalized accordingly.  “As I mentioned in our previous update, we will be conducting maintenance to restore lottery results data on Monday, May 16,” FFXIV producer and director Naoki Yoshida writes in a new update. “This maintenance will fix identified errors and properly relay lottery results for affected plots to the appropriate servers.” As a result of this maintenance fix:  Winning lottery numbers will be displayed correctly, and land purchases may be finalized accordingly. Temporary suspensions imposed on plot purchases and relocations will be lifted.  Yoshida says that if you have a winning lottery number, you should finalize your land purchase by Thursday, May 26, as the next lottery cycle will begin that day, at which point, you will lose the ability to claim land you won during the current lottery. The next one will start on May 26 and have a typical five-day entry period and a four-day results period.  If you’re a winning participant who has already received a gil refund due to the recent lottery break, you will still be able to finalize a purchase on a won plot of land. Even if you received a refund and have since found out you won the lottery, you’ll still be treated as a winning lottery player.  “In Patch 6.2, we plan to implement an NPC by which you may voluntarily return the deposit you were accidentally refunded,” Yoshida writes. “As these housing lottery issues have been significant and caused great stress and frustration in many players, we have no intention of performing a data rollback to forcibly rescind any refunded gil. We will make an announcement regarding the voluntary return of housing deposits once the NPC in question is ready to be implemented.  “In closing, I would like to thank you all once again for your patience and understanding this past month, and extend my deepest apologies for the trouble and inconvenience these issues have caused. We will do everything in our power to safely restore your data, fix any remaining issues, and bring you all a fair and functional housing lottery system. Thank you for your continued support.”  For more FFXIV, read our exclusive interview feature with Yoshi-P, and then read Game Informer’s Final Fantasy XIV Endwalker review. Read Game Informer’s ranking of every mainline Final Fantasy game after that.  [Source: Polygon] Are you a Final Fantasy XIV housing lottery winner? Let us know in the comments below!
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    CS Interview: Janelle Monáe on Social Horror-Thriller Antebellum

    CS Interview: Janelle Monáe on Social Horror-Thriller Antebellum

    CS Interview: Janelle Monáe on social horror-thriller Antebellum

    ComingSoon.net got the chance to speak to eight-time Grammy nominee Janelle Monáe (The Glorias) to go over her role in the upcoming socially driven horror-thriller Antebellum, this week that is set going to digital platforms!

    With the film going for a mind-bending approach at exploring the true terrors of days gone by and its link with today’s world, Monáe reflected on her behalf own link with days gone by and how she actually is influenced because of it being an artist and person, referencing William Faulkner’s iconic quote from 1951’s Requiem for a Nun, “days gone by is dead never, it’s not past.”

    “What I believe this film handles is how it’s all connected,” Monáe expressed. on today “There’s no chance to speak about what’s going, when it comes to white supremacy and systemic racism, without discussing slavery and the way the racist policies we’ve today weren’t rooted in exactly the same ideologies whenever we were stolen and forced to go to America. For me personally, I’m constantly attempting to ensure that we don’t just forget about what happened to the lawyers, the doctors, the artists which were stolen and forced to call home and now because of that here, we don’t have the freedom to jog without having to be shot still. Still as black women we have been being experiencing and silenced violence disproportioned. It’s all connected and our future will probably be determined by us analyzing what happened, how did we here get, and I believe that’s what this film touches on, past, future and present.”

    When it found getting to the center of her character, a female with many similarities to herself, the 34-year-old star discovered that her biggest creative challenges was wearing down where she was at each point in the story and how exactly to remain in keeping with her diverse traits over the very different regions of the film.

    “She actually is so layered and based on what your location is in the film, she had to adjust to her circumstances and I believe for me personally, I had to determine how exactly to not get overwhelmed with the start, end and middle,” Monáe explained. “I had to break the movements up and work out how to be sure that despite the fact that she was devote different circumstances, you see at the core that she actually is a fighter still, you still note that she actually is a thought leader and that she actually is ready to take risks and she still cares about her community. All those plain things would have to be consistent through the entire film and the type.”

    Though it results in one of the most difficult to view moments in virtually any film coping with the topic, Monáe recalled that building an off-camera rapport with her antagonist costars had not been only vital prior to the cameras began rolling, but brought some brighter moments on her behalf on set also.

    “With the antagonists, it had been very important that people surely got to know one another as humans,” Monáe described. “I needed to learn what they stood for beyond being actors, I needed to learn about their own families, I wanted to learn about why they thought to the project yes, because we were likely to be getting on a plantation together. I needed to learn that it is a character you’re likely to be playing and that in true to life you’ll never do anything such as this or desire to be part of it. You need to ask those relevant questions, because that is sensitive for black visitors to put themselves in the portrayal to be an enslaved person. And we did, we’d plenty of philosophical conversations, we ate lunch together and what I really like most is that the antagonists in the film always ensured that I felt safe and that I was okay. After every take, I remember Jack just, I recall Eric, I recall Jena again asking again and again, ‘Are you okay? Are you currently uncomfortable? Does this cause you to uncomfortable? I want to know, I would like to make certain I’m being authentic to the type however, not at the trouble of one’s safety, and mentally physically.’”

    Building the chemistry with her family and friends in the film also became vital that you Monáe since it both helped her further enter the mindset of Veronica but additionally gave the audiences a supplementary emotional layer necessary for a horror protagonist.

    “I believe with my friends in the film, we talked and something of things that would make a difference is that whenever this happens to Veronica, when she undergoes this traumatic events or event, folks have to empathize with her,” Monáe noted. “When she’s gone, her presence needs to be missed and the plain items that help the audience, for me, miss her is her interactions with her family. Once you note that this woman is really a mother, she actually is a companion, she actually is a wife, she actually is and was loved by her community, you are created by it root on her behalf even more. It humanizes her in a genuine way that feels familiar then one that you’d desire to protect. You should desire to anyway protect human life, but I believe that seeing her in the context of her family and friends makes you desire to root on her behalf a lot more in this film.”

    In , successful author Veronica Henley (Monáe) finds herself trapped in a horrifying reality that forces her to confront days gone by, present and future – before it’s too late. Advocacy filmmakers Gerard Bush + Christopher Renz (Bush | Renz) – most widely known because of their pioneering advertising work engaged in the fight for social justice – write, produce and direct their first feature film, teaming with QC Entertainment, producer of the acclaimed films Get Out and BlacKkKlansman, Zev Foreman, Lezlie Wills, and Lionsgate for the mind-bending new thriller Antebellum.

    The film stars Janelle Monáe, Eric Lange, Jena Malone, Jack Huston, Kiersey Clemons, Gabourey Sidibe, Marque Richardson, Robert Aramayo, Lily Cowles, and introducing Tongayi Chirisa. Directed and compiled by Gerard Bush & Christopher Renz. Made by Raymond Mansfield, p.g.a., Sean McKittrick, p.g.a., Zev Foreman, p.g.a., Gerard Bush, Christopher Renz, and Lezlie Wills, p.g.a.

    The movie shall premiere as reduced On-Demand release, on September 18 debuting on all platforms. The film will undoubtedly be released in select international markets theatrically.

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