Thursday, January 20, 2022

God of War or Red Dead II? Drafting The Best Games Of 2018

Click to watch embedded media While the internet may be more familiar with fantasy sports such as football or baseball, that doesn't mean the gamers of the world can't have a little fun too. From God of War to Red Dead Redemption II and everything in between, join Game Informer as we pick the best games of 2018 and form the ultimate fantasy teams. But how does the process work? The panel of Ben Reeves, John Carson, Kim Wallace, Alex Stadnik, and Alex Van Aken have assembled to select five games apiece from 2018 to create the most robust roster possible. After randomizing the draft order, each person will have time to decide. At the end of the round, the order reverses, and the fun continues from the fifth person back to the first. Sounds pretty standard, right? You can fill your list with as many great games as possible and create the video game equivalent of the 1990s Chicago Bulls. That's where you're wrong. If you've played fantasy sports before, you're well aware that picking players in the late rounds can get rough. In that spirit, each panel member in today's video must select one title off Metacritic's list of the worst games of 2018. In a year of such high highs, it's incredible how low the lows can get. But why are we drafting games like this? Just for fun? Why no, for the community validation, of course! That's right, folks. You get to vote on who has the strongest list. Be sure to head over to our Discord to select the editor with the strongest list, and we'll read the results on this week's episode of The GI Show! Thank you so much for your participation and please let us know what you thought of the segment in the comments below!

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    Amma Asante to Helm Series Adaptation of Smilla’s Sense of Snow

    Amma Asante to Helm Series Adaptation of Smilla's Sense of Snow

    Amma Asante to helm series adaptation of Smilla’s Sense of Snow

    After garnering rave reviews on her behalf focus on Hulu’s The Handmaid’s Tale and Mrs. America, Amma Asante has found her next television project by means of Constantin Film’s adaptation of the Danish thriller novel Smilla’s Sense of Snow, in accordance with .

    Written by Peter Höeg and published in 1992 and 1993 in English, the novel followed the titular woman, a transplanted Greenlander in Copenhagen, as she investigate the mysterious death of an immigrant Inuit child in the projects and uncovers clues that lead towards a conspiracy regarding a secretive island in her home country and a grander supernatural revelation.

    I’m absolutely delighted to be helming a show with this type of powerful female lead at its center,” Assante said in a statement. “Peter 1993 novel gave us a potent social commentary Höeg’s, with a heroine of her time ahead, today than ever before that illuminated themes more relevant. It had been a compelling alchemy for me personally, and an excellent jumping-off point for the update right into a modern supernatural thriller that asks poignant questions for the times.

    The series has been scripted by Clive Bradley (Trapped) and you will be executive made by Constantin Film’s executive board members Oliver Berben and Robert Kulzer with Constantin CEO Martin Moszkowicz mounted on produce and Colin Scully, Alex Brandon and Westmore Zimon all overseeing the project for the German production company.

    We felt compelled to revisit this groundbreaking novel 30 years later due to the extraordinary prescience of its topics and themes,” Kulzer said in a statement. “Amma includes a brilliant emotional and intellectual grasp of the story and we’re able to not become more excited to be on this journey with her.

    The novel once was adapted into film in 1997 with Julia Ormond (The Walking Dead: World Beyond) and Gabriel Byrne (Hereditary) leading the cast and Billie August (A Fortunate Man) directing the mixed-received translation of Höeg’s work. Constantin Film, who co-produced the film previously, are preparing to bring the project to U.S. premium cable networks and streaming platforms.

    (Photo Credit: David M. Benett/Dave Benett/Getty Images for Into Film)

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