Sunday, April 11, 2021

LOCATING THE Real Magic Mike Competition Show Announced for HBO Max

Finding The Real Magic Mike competition show announced for HBO MaxHBO Max is diving into the Warner Bros. vault to expand its unscripted content as the streaming platform has ordered the new reality competition The Real Magic Mike to series, with film star Channing Tatum and director Steven Soderbergh attached to executive produce and is expected to debut later this year.RELATED: The Lost City of D: Channing Tatum & Sandra Bullock-led rom-com sets 2022 release“From box office hits to sold-out live shows, Magic Mike has proven to be a pop-culture juggernaut that continues to delight people across the globe,” Sarah Aubrey, Head of Original Content, HBO Max, said in a statement. “We’re excited to work with Channing, Steven and the team behind Magic Mike Live to continue this successful franchise that celebrates self-confidence and sexiness both inside and out.”The exhilarating and sexy series will transform a group of men into real-life Magic Mikes as 10 men who have ‘lost their magic’ will compete for the title. Like any competition show, participants will undergo a full-body evolution as they learn to perform spectacular routines and develop a new level of self-confidence through stripping. Many will think they have what it takes but only one man can be the Real Magic Mike. The winner will receive a cash prize and an opportunity to perform on the blockbuster Magic Mike Live stage in Las Vegas.Click here to watch the Channing Tatum-led film!“Magic Mike is one of Warner Bros.’ most iconic franchises,” Mike Darnell, President, Warner Bros. Unscripted Television, said in a statement “We couldn’t be more excited to be working with Channing, Steven and HBO Max on an all-new vision of this amazing and legendary brand. We’re looking forward to giving fans a front-row seat as we search the country for undiscovered talent.”Loosely based on Tatum’s early days as a stripper before making it in Hollywood, Magic Mike quickly became a box office hit in 2012 grossing over $167 million worldwide. After the release of Magic Mike XXL, Executive Producer Channing Tatum, along with founders Peter Kiernan, Reid Carolin, Steven Soderbergh, Greg Jacobs and Nick Wechsler partnered with producer Vincent Marini to introduce audiences to the groundbreaking entertainment experience MAGIC MIKE LIVE. The live show has expanded internationally since it’s Vegas launch and has played to sold-out audiences in London, Berlin and Australia. Tickets are currently on sale for the recently announced 2022 UK Arena Tour.RELATED: New to Stream: HBO Max’s April 2021 highlightsA nationwide casting search for The Real Magic Mike is currently underway. In addition to Tatum and Soderbergh, the series will be executive produced by Reid Carolin, Peter Kiernan, Gregory Jacobs, Nick Wechsler, Vincent Marini, Alycia Rossiter, Cassie Lambert Scalettar, Chris Culvenor, Paul Franklin, Wes Dening and David Tibballs alongside co-executive producer Kevin Boyer, with Eureka Productions and Warner Bros. Unscripted Television producing in association with Warner Horizon.

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    The Trial of the Chicago 7 Review: Energetic, Stylish & Powerfully Acted




    Sacha Baron Cohen as Abbie Hoffman

    Eddie Redmayne as Tom Hayden

    Joseph Gordon-Levitt as Richard Schultz

    Yahya Abdul-Mateen II as Bobby Seale

    Michael Keaton as Ramsey Clark

    Frank Langella as Judge Julius Hoffman

    John Carroll Lynch as David Dellinger

    Mark Rylance as William Kunstler

    Alex Sharp as Rennie Davis

    Jeremy Strong as Jerry Rubin

    Noah Robbins as Lee Weiner

    Daniel Flaherty as John Froines

    Ben Shenkman as Leonard Weinglass

    Kelvin Harrison Jr. as Fred Hampton

    Written and Directed by Aaron Sorkin

    The Trial of the Chicago 7 Review:

    After years of penning a number of incredible films and TV shows over the years, Aaron Sorkin finally stepped behind the camera for the first time with his Oscar-nominated Molly’s Game and established himself as a talent to watch in the director’s chair and now he’s returned with his long-languishing historical drama The Trial of the Chicago 7 exploring the iconic titular court case and while it may have an air of general familiarity, he infuses the script with enough lively dialogue and character work and has assembled a powerful ensemble cast that keeps the affair afloat.

    What was intended to be a peaceful protest at the 1968 Democratic National Convention turned into a violent clash with police and the National Guard. The organizers of the protest—including Abbie Hoffman, Jerry Rubin, Tom Hayden and Bobby Seale—were charged with conspiracy to incite a riot and the trial that followed was one of the most notorious in history.

    Having first established himself as a theatrical playwright before turning to the screen, Sorkin was able to hone in on the necessity of a compelling story and cast of characters requiring few set pieces or spectacle to keep audiences engaged and much as he has with everything from his play-turned-film A Few Good Men to the Brad Pitt-led Moneyball, he once again finds a way to keep the film grounded while moving at a steady and quick pace that keep eyes glued to the screen.

    The group of characters may be real people, but Sorkin finds a way to bring them to life with incredibly unique voices that feel as though birthed from a combination of meticulous research on his part as well as his own infusion of quick-witted dialogue that is fascinating to watch. The West Wing creator is no stranger to the biographical drama, and there are certainly a number of scenes in the film that feel like inferior recreations of past projects, but he finds a nice balance of dramatization and factual storytelling that is fascinating to watch, while also finding a number of powerful and heartbreaking parallels between the Nixon era and the modern day.

    The 59-year-old storyteller also continues to prove he’s picked up a number of points from the incredible directors he’s worked with over the years to deliver a great-looking film throughout. The courtroom scenes are shot in a nice retro fashion of slow-sweeping pans, the protest flashbacks and moments involving Abbie Hoffman telling his tale to a captive audience utilize a handheld style that gives the scenes a captivating documentary feel.

    Though it may have been a shame it took 13 years to bring this story to the screen, one of the brightest things to come from the delay was Sorkin’s ability to build the absolute perfect ensemble cast of stellar performers, both established and on-the-rise. Frank Langella, Eddie Redmayne and Mark Rylance are dramatic heavyweights and continue to prove their worth with their roles in the film, Joseph Gordon-Levitt may prove to be a little too quietly ambiguous but is nonetheless an enjoyable wild card and Sacha Baron Cohen nicely reins in his typically antic-driven nature for a plenty energetic but cool-headed Hoffman, but it’s recent stars Yahya Abdul-Mateen II and Jeremy Strong who steal the show.

    With an ensemble of seven defenders, as well as compelling lawyers and politicians, it’s both understanding and a bit disappointing that Abdul-Mateen II’s fascinating portrayal of Bobby Seale isn’t granted more screen time or dialogue, but what he is given proves to be magnificent to watch and performed to perfection by the Watchmen Emmy winner. Speaking of Emmy winners, Strong may have been around in Hollywood and in the theatre world for the past 12 years, but between Succession and The Gentlemen it’s been great to see him finally getting the appropriate spotlight and his turn as Jerry Rubin feels primed for major award nods at the very least, if not actual victories.

    The Trial of the Chicago 7 may occasionally suffer from slow pacing or genre predictability, but thanks to a sharply written and timely script, stylish direction from Sorkin and brilliant performances from its awards-worthy ensemble cast, this is a moving and powerful drama that rightly honors its titular subjects while opening audiences’ eyes to the numerous parallels between the past and the present.

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