Tuesday, May 17, 2022

Evil Dead: The Game Cover Story – Raising Hell

Saber Interactive and Boss Team Games are targeting the asymmetrical horror genre for a battle between demons and survivors, but it’s quite different than other creature feature forays on the market. In Evil Dead: The Game, don’t expect to find the human heroes cowering in corners or attempting to flee – this 4v1 fear festival takes the fight directly to the forces of evil, hacking enemies in half and blowing them to pieces. In 1981, Sam Raimi’s The Evil Dead made a grisly splash onto the horror scene, featuring what’s become an almost formulaic setup: Five unfortunate friends head out to a cabin in the woods for a good time, and then, spoiler alert, good times are not had. The idyllic journey into the country turns into a bloody massacre, spurred on by an ancient evil book known as the Necronomicon. I remember I first saw the movie in a time when villains like Freddy Krueger, Jason Voorhees, and Michael Myers fought for dominance over our grade-school nightmares. The film offered the terrifying simplicity of facing your friends after they become possessed undead. It gloried in the sheer, unflinching willingness to lean into the intimate, grim goriness of it all, and the experience left a strong impression. Interestingly enough, it’s possible that The Evil Dead wouldn’t have had the chance to thrive without horror maestro Stephen King’s praise. After seeing it out of competition at the 1982 Cannes Film Festival, King wrote a rave review, leading to New Line Cinema picking the film up for distribution. The movie has gone down as a cult classic and had plenty of influence within the horrorsphere. But Bruce Campell’s portrayal of character Ash Williams has undeniably become the campy, comical face of the otherwise incredibly macabre franchise, infusing the gruesome themes and blood splatters with a hefty dose of comedic quips and one-liners. Multiple films followed the original, including Evil Dead 2 and the completely off-the-wall Army of Darkness, where Ash travels back to medieval times to fight the titular demonic forces. In more modern times, the series has had both a soft reboot and a TV series, with yet another film, Evil Dead Rise, scheduled to hit this year. And then, of course, there’s Saber Interactive’s upcoming game. Read more...
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    Amazon in Talks for Jurnee Smollett Action Vehicle Fuel


    Amazon In Talks for Jurnee Smollett Action Vehicle Fuel

    Amazon in talks for Jurnee Smollett action vehicle Fuel

    Fresh off working together on HBO’s acclaimed adaptation of  Lovecraft Country , star Jurnee Smollett and executive producer Misha Green are reuniting for an action vehicle  Fuel with Amazon Studios currently in foretells find the pitch in a heated bidding war, in accordance with Deadline.

    RELATED: Lovecraft Country’s Misha Green Tapped to Write/Direct Tomb Raider Sequel

    The film, that is being penned by Kat Wood ( Diplomatic Courier, Envoy ), will focus on a wheel woman, today’s undertake a familiar character, and is referred to as “ an action-packed female empowerment story which will subvert the partnership between cars and masculinity ” and can start to see the heroine coerced into doing work for a criminal and breaking all of the rules she lay out for herself.

    Smollett, coming off the well-received DC Extended Universe ensemble pic&nbsp also; Birds of Prey (and the Fantabulous Emancipation of 1 Harley Quinn) , happens to be set to star in the film and produce alongside Green while Wood is mounted on executive produce the project, without director mounted on the project. Furthermore to  Lovecraft , Green and Smollett done together on the acclaimed WGN America series&nbsp previously; Underground , which ran for just two seasons.

    RELATED: Hellsing: Amazon & John Wick Writer Adapting Japanese Manga into Film

    Fuel  marks the most recent venture in to the film world for Green after over ten years employed in television, including her recent signing to write and direct the Alicia Vikander-led  Tomb Raider  sequel at MGM in Green’s feature directorial penning and debut and producing  MOM , acquired by Netflix in a similarly-competitive bidding battle recently, and Warner Bros. revival of  Cleopatra Jones .

    (Photo Credit: Jim Spellman/Getty Images)

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