Wednesday, April 14, 2021

Jordan Vogt-Roberts to Helm Netflix’s Live-Action Gundam Movie

(Photo Credit: Alberto E. Rodriguez/Getty Images)Jordan Vogt-Roberts to helm Netflix’s live-action Gundam movieIt has been four years since the successful release of Kong: Skull Island, and now director Jordan Vogt-Roberts has finally found his next big project with Legendary. Vogt-Roberts has officially signed on to direct the studio’s first-ever live-action feature film version of Gundam for Netflix, which will be based on the universe of Sunrise’s iconic Japanese robot franchise.This marks Legendary and Netflix’s latest collaboration together, the two companies previously worked on films such as 2016’s Spectral and last year’s Enola Holmes as well as shows like Lost in Space and Pacific Rim: The Black. They are also currently working on the anime series adaptation of Skull Island and Tom Raider.RELATED: Netflix’s Live-Action Cowboy Bebop Series Wraps Production!Plot details for the Netflix film are being kept under wraps but the original Gundam series is set in the Universal Century, an era in which humanity’s growing population has led people to emigrate to space colonies. Eventually, the people living in the colonies seek their autonomy and launch a war of independence against the people living on Earth. Through the tragedies and discord arising from this human conflict, not only the maturation of the main character but also the intentions of enemies and the surrounding people are sensitively depicted. The battles in the story, in which the characters pilot robots known as mobile suits, are wildly popular. The Gundam universe is replete with numerous storylines of love and conflict along with the popular Gundam battles, in which the characters operate robot suits called Mobile Suits.The live-action Gundam film will be penned by Brian K Vaughan. It will be produced by Vogt-Roberts with Vaughan set as executive producer. Legendary’s Cale Boyter will oversee the project along with the Sunrise creative team. The project was actually first announced in 2018 at the Anime Expo.RELATED: Sony & Netflix Ink First-Pay Streaming Licensing DealCreated by Hajime Yatate and Yoshiyuki Tomino, the franchise first started in 1979 with the TV series titled Mobile Suit Gundam. The massively popular Mecha anime and science fiction media franchise is Sunrise’s multi-billion-dollar property that has spawned a multi-platform universe encompassing televised anime, manga, animated films, video games, plastic models, toys, and novels among other media. Gundam continues to dominate Bandai Namco’s earnings almost forty years after its inception.
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    CS Interview: Kurt Sutter Talks Doug Liman’s Chaos Walking Adaptation


    CS Interview: Kurt Sutter Talks Doug Liman's Chaos Walking Adaptation

    CS Interview: Kurt Sutter Talks Doug Liman’s Chaos Walking Adaptation

    Chaos Walking is currently playing in theaters also to commemorate the function we sat down with Kurt Sutter ( Sons of Anarchy ), who makes a rare acting appearance in the film alongside Tom Daisy and Holland Ridley. Sutter discussed from dealing with Doug Liman to coping with the film’s special FX. Browse the interview below!

    RELATED: Lionsgate Unveils New Chaos Walking Clip as Tickets CONTINUE Sale!

    In the not too distant future, Todd Hewitt discovers Viola, a mysterious girl who crash lands on his planet, where all of the women have disappeared and the men have problems with “the Noise” – a force that puts almost all their applying for grants display. In this dangerous landscape, Viola’s life is threatened – so when Todd vows to safeguard her, he shall need to discover their own inner power and unlock the planet’s dark secrets.

    Grab a copy of the novel series here!

    Predicated on author Patrick Ness‘ young adult sci-fi trilogy novel,  Chaos Walking stars Tom Holland ( MCU  films) as Todd Hewlitt and Daisy Ridley ( Star Wars: Rise of Skywalker ) as Viola Eade, and co-stars Mads Mikkelsen ( Doctor Strange ) as Mayor Prentiss, Nick Jonas ( Jumanji: Welcome to the Jungle ) as Davy Prentiss Jr., Demian Bichir ( Alien: Covenant ) as Ben,  Sons of Anarchy  creator Kurt Sutter as Cillian, and David Oyelowo ( Selma Interstellar ) as Aaron.

    RELATED: Chaos Walking Trailer: Daisy Ridley & Tom Holland Lead Sci-Fi Thriller

    Chaos Walking  is directed by Doug Liman from the screenplay compiled by Patrick Christopher and Ness Ford. Doug Davison (who caused Liman on  American Made ) and Alli Shearmur ( Rogue One: A Star Wars Story Cinderella ) are producing  Chaos Walking  with Robert Zemeckis and his ImageMovers’ partner Jack Rapke.

    ComingSoon.net: I must say i appreciate you seated and speaking with us about Chaos Walking. I’ll start right from the start just. You create a rare acting appearance in this film. What ultimately drew one to jump while watching camera to play Cillian?

    Sutter: Yeah, dude. It’s all a desperate dependence on attention. You understand, I began being an actor. I really like acting – or more until [ Chaos Walking ], I was usually the only person who hire me to accomplish any acting. Nevertheless, you know, that movie found me and initially, I acquired this email and I didn’t browse the whole email. I simply browse the first paragraph that had the title [ Chaos Walking ] and I Googled it and I was like I don’t obtain the dark, edgy indie shit. THEREFORE I dumped it off and came again and blew it off back. And ultimately then, an offer was created by them. And I was like, what’s happening? As though I had skill that nobody else had. And the others is read by me of the e-mail and I saw that Doug Liman was directing, Charlie Kaufman wrote the initial draft of the script. Therefore Demián Mads and Bichir [Mikkelsen]. THEREFORE I was like, oh shit.

    Therefore the script is read by me also it was amazing. And the type was loved by me and I loved the dynamic, the ambiguous type of love relationship with Demián’s character and the inner dynamic. It was beautiful just. And two excellent friends of mine were producing it – Doug Erwin and Davison Stoff. And I was like, oh. That’s why they back kept coming. [Laughs] I was so grateful. I was so grateful because I figured it out, I had to create time for this. And I got to work with – I’ve always been a big fan of Doug and it was fun working with him. And we’ve discussed doing things now and Mads and Demián who I admired so much together.

    And I’ve an instant funny story about Tom. Tom had auditioned for me personally and Paris Barclay for Bastard Executioner , the show I did so in the united kingdom. And he was amazing and the role was got by him. But we couldn’t make the pilot dates work as the process on callbacks for Spider-Man began. And considering Bastard got canceled after one season and he’s now a global movie star, I do believe he made a good choice.

    So, it had been fun to again see Tom. And he reminds me of 1 of my kids just. He’s a sweet guy and super enthusiastic. Also it was fun. Nick Jonas is this type of lovely man. Nick kept calling me sir just. It’s like, I’m the oldest guy on the set already, man, is it possible to please not call me sir?

    CS: When you discuss dealing with director Doug Liman, what’s his process like? Did you be produced by him feel safe in the role? Did you get by him freedom to accomplish what you wished to do together with your character?

    Sutter: Yeah, he quite definitely did. After all, we were dealing with the script that has been type of in process, guess what happens After all, because it’s this type of big world. And the phenomenon of the noise, to getting that right, that is where men’s thoughts is seen either through visual or text. So that it was wild just because a movie had been shot by us inside a movie. So after each right time we rolled cut, the visual effects team would can be found in, because there is so much that they had related to every frame of this movie. Also it was this type of long process, it took one minute for this all ahead since it was a monster to construct together. But Doug is really a guy who I was watching and he’s sort of this savant for the reason that I was watching him and I was realizing as he was shooting, he was cutting the movie in his head together. Guess what happens After all? And it’s like, I realized a setup will be done by him, and it’s type of like, he’d disappear completely for one minute and he realized he was putting it together in his head and saw another shot.

    And for me personally, initially, I’m very much accustomed to the rigidity of TV, where you’re doing five, six, seven, a day eight pages, and you also have considerable time to explore by doing so don’t. And so, initially, it had been odd for me personally to possess that type or sort of looseness. But then, after a few years, it had been fascinating if you ask me. It had been fascinating to view his process. And he, too, is really a lovely, really sweet sort of a genteel guy and incredibly respectful for the actors. Like if you found him or were fighting something, he’d oblige you. We’d several – we visited his cabin a few nights and had dinner and had long script discussions. And the initial shoot was very collaborative and a pleasant experience really.

    And, the reshoots, per year later roughly were a bit more by the numbers that have been like. Because at that true point, you’re on a deadline. You’re already considering underneath line and you also know what you will need exactly, right? And that process felt like TV then. It had been like, okay, you’re achieving this, you’re achieving this. Fine, jump into ADR. Get that done. Do this. I was like, ok last one, this, I understand.

    CS: What’s your undertake noise? How can you handle having your ideas exposed at fine times? 

    Sutter: Well, look, Today i don’t think it is possible to deny the most obvious parallel or analogy of how exactly we live, right? Social media marketing and everyone’s personal thoughts are type of open to be observed. And I believe the advantages and disadvantages of this there’s. I believe in this movie, it’s really about how exactly that can cause you to vulnerable, and how perhaps it becomes overwhelming just, the constant download of data and information you need to process so you’re hearing a very important factor and seeing one more thing. And you also know, it’s extremely difficult to flee the noise. And I obviously believe that is, to some extent, the grouped community that we’re surviving in.

    I also love, which was written in 2008 also it seems very prescient. Nevertheless, you know, to get a character like Mayor Prentiss, who clearly is quite smart and incredibly controlling and a fear-based narcissist at his core, but to possess Mayor Prentiss who has named the city Prentisstown controlling it and controlling the given information, it just feels very familiar to the problem that people were recently in, where it had been all fake news. There is no truth being told, and folks who knew it had been kept by the reality to themselves. Therefore, I thought that has been sort of directly on the money aswell.

    CS: Can you want to keep coming back and act in more films after your experience on Chaos Walking?

    Sutter: Yeah, I really like acting. I began being an actor. I studied and i acquired my masters in fine arts with directing and performance. So it’s influenced obviously my career choices, but additionally it’s really, that for me personally, has influenced my writing a lot more than anything. So it’s all quite definitely section of my circuitous path. And yeah, I really like being truly a storyteller. That’s what I wish to do and that’s what I’ll continue steadily to do. And I really do that strictly through writing sometimes. Sometimes if there’s a project that Personally i think like I could expand the visual representation of the narrative in addition to I really do the story components, it seems sensible for me personally to direct after that it. But yeah, if there’s a thing that I have time and energy to do and it’s a job that I believe is interesting or even more importantly, easily have a chance to use people whom I admire and Personally i think like I could learn something from, yeah, absolutely. I’d want to do even more.

    CS: You’ve given audiences amazing shows like Sons of Anarchy, The Shield, Mayans. What’s next on your own plate? And can you feel pressure at all to top yourself, especially following the success of one’s implies that you’ve created?

    Sutter: No, you understand, there’s pressure never. For me personally, it’s nearly looking for the matter that is practical and the characters that feel most compelling if you ask me. And look, no-one knew Sons would become what it became, right? So therefore i don’t really ever get into something with a feeling of it having a bar. I simply sort of understand it and deliver the very best story that I could. You understand, and on the pandemic, it’s been actually excellent. I’ve had time actually. I’m not being under a deal now, I’ve type of had the freedom to meet up and use people whom I’ve never had the opportunity to utilize before. So the majority of the pandemic has been going for a large amount of general meetings, speaking with producers and directors who I’ve admired, and just type of planting some seeds.

    I’m attempting to do a tiny bit more producing now, aswell. And type of fostering projects, helping other writers get things off the bottom. So I’ve been performing a large amount of that. And hopefully, within the next few weeks, something I’m focusing on will type of get together and you will see some news about this. But it’s just been lots of meetings and lots of planting seeds in gardens that I’ve not had the opportunity to type of plant things in before. THEREFORE I know that’s absolutely and completely vague, but yeah. That’s type of the reality.

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