Tuesday, April 13, 2021

Official PlayStation Podcast Episode 394: Crash Landing

Email us at [email protected]! Subscribe via Apple Podcasts, Spotify, Google or RSS, or download here Hey y’all! This week we sit down with composer Bobby Krlic, who shares the creative process behind crafting Returnal’s soundtrack. Stuff We Talked About Mass Effect Legendary EditionOddworld: SoulstormReturnal (interview begins at 21:20)Outer Wilds The WitnessDisco Elysium – The Final CutGames that made us see things differently in the real world The Cast Sid Shuman – Senior Director of Content Communications, SIE Tim Turi –  Senior Content Communications Specialist, SIE Thanks to Cory Schmitz for our beautiful logo and Dormilón for our rad theme song and show music. [Editor’s note: PSN game release dates are subject to change without notice. Game details are gathered from press releases from their individual publishers and/or ESRB rating descriptions.]
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    Fargo Creator Noah Hawley Talks Alien Miniseries He Pitched to FX 

    Fargo Creator Noah Hawley Talks Alien Miniseries He Pitched to FX During an interview with Observer, Emmy winner and Fargo series creator Noah Hawley discussed the Alien miniseries he had pitched to FX in 2019, with a specific focus on the “human drama.” RELATED: Fargo Season 4 First Look Dives Deeper Into the 1950s Set Story “Alien is on some level the complete opposite of Star Trek,” Hawley told the outlet. “It’s sort of about humanity at its worst. There’s this moment in the second film when Sigourney says, ‘I don’t know which species is worse. At least they don’t screw each other over for a percentage.’ If you look at what Aliens tends to be, it’s usually a trapped story – trapped in a ship, trapped in a prison, etc. And because the Alien has this life cycle to it, where it goes from egg, to chestburster, to xenomorph, there becomes a certain routine to it.” “I thought it would be interesting if you could expand,” he continued. “If you’re going to make something for television, you’ve got 10 hours let’s say. Even if you have a lot of action, like two hours, then you’re still going to have eight hours left. So what is the show about? That’s what I tried to talk to them about. As I did with Legion, the exercise is: Let’s take the superhero stuff out of the show and see if it’s still a great show. What’s the show about? Let’s take the Alien out of the show. What’s the show about? What are the themes, who are the characters and what is the human drama? Then we drop the aliens back in and we go, ‘This is great. Not only is there great human drama, but there’s aliens!’” RELATED: Black Narcissus Trailer Sets November Premiere for New FX Miniseries What do you think about Hawley’s idea for a new miniseries set within the Alien universe? Do you hope to see the pitch come to fruition one day? Sound off in the comments below!

    RANKED: The 12 Best Designs by the Late Ron Cobb

    RANKED: The 12 Best Designs by the Late Ron Cobb Comingsoon.net is taking a look at the best designs by the late Ron Cobb. Check out our picks below! Legendary underground cartoonist turned production designer and concept artist, Ron Cobb, passed away on his birthday Monday at the age of 83. Star Wars, one of the many franchises he contributed to, paid tribute to Cobb on Instagram, “We were saddened to learn of the passing of Star Wars: A New Hope conceptual designer Ron Cobb, who designed one of the most – if not the most — memorable characters in the Mos Eisley cantina… Cobb’s illustrious career contributed to several iconic films, including E.T The Extraterrestrial, Raiders of the Lost Ark, Alien, Back to the Future, and many more.” He will be missed.” The aesthetic of numerous sci-fi and action films were achieved through Cobb’s inimitable talent. Pivotal objects like Back to the Future‘s DeLorean, Conan the Barbaian‘s sword, and numerous space ships stick with us because of the imagination and subsequent work of Cobb. In addition to design, Cobb also served as a director and writer. Honoring the prolific career (which began in 1956) of one of the best illustrators of all-time, we’ve ranked some of Cobb’s most memorable designs (and films). Check them out below. RELATED: CS Video: Back to the Future’s Bob Gale Remembers Designer Ron Cobb All concept images via roncobb.net 12) Dark Star’s Spaceship Click here to purchase Dark Star! Cobb’s first production design job was John Carpenter’s debut film, 1974’s Dark Star. Cobb designed the exterior for the film’s main space ship—which went on to heavily influence the ships/special effects of Star Wars and other space operas. It was on this film that Cobb would meet writer Dan O’Bannon, which would lead to jobs working on Alejandro Jodorowsky’s Dune and Ridley Scott’s Alien.  11) The Abyss’ Deep Core Rig Click here to purchase The Abyss! Cobb designed the massive underwater drilling rig in James Cameron’s The Abyss (1989) as well as the helmets, suits, and breathing tanks used by the crew. He also helped to create the two operable submersibles used in the movie.  10) Robot Jox’ Mech Suit Click here to purchase Robot Jox! Cobb served as a concept artist on Stewart Gordon’s Robot Joxs (1989), designing every inch of the 180 ft. tall, multi-mode robots, their support systems, and their worlds. Most of the costumes, automobiles, and other devices were also done by Cobb. 9) The Last Starfighter’s Spaceship Click here to pre-order the upcoming The Last Starfighter Blu-ray from Arrow Video! In addition to the Gunstar, Cobb designed the enemy space crafts, the planet Rylos, Starcar, aliens, and costumes for 1984’s The Last Starfighter. 8) Total Recall’s Memory Implant Chair Click here to purchase Total Recall! Paul Verhoeven’s 1990 classic, Total Recall’s entire plot revolves around one machine’s ability to plant false memories into people’s brains. Not only did Cobb design the “Rekall” machine, but he created the look for the Mars colony (mine complex, mining machines, taxi cabs, etc.), the Marsliner spaceship, and all of the vehicles on the futuristic Earth.  7) Raiders of the Lost Ark’s Nazi Airship Click here to purchase Indiana Jones: The Complete Adventures! After meeting Steven Spielberg at Universal while working as a production designer on Conan The Barbarian, Cobb landed a job as a production artist on Raiders of the Lost Ark. Cobb ended up designing the Nazi Flying Wing from that film, on which, Indiana Jones fights that large Nazi in what is one of the greatest fights in cinematic history. Cobb and Spielberg maintained a close relationship for the remainder of his career.  6) Star Wars’ Momaw Nadon (“Hammerhead”) Click here to purchase Star Wars: A New Hope! Initially unaccredited, Cobb served as a conceptual designer on Star Wars: A New Hope. He designed most of the elaborate aliens in the famed Mos Eisley cantina sequence. Momaw Nadon AKA “Hammerhead” is considered by many to be the most memorable.  5) The Rocketeer’s Jet Pack Click here to purchase The Rocketeer! Cobb contributed an early design for the rocket-powered jet pack in Joe Johnson’s Rocketeer (1991). 4) Conan the Barbarian’s Sword Click here to purchase Conan the Barbarian! Not only did Cobb serve as a production designer on 1982’s Conan the Barbarian, but he was an uncredited director of second unit photography. That said, in addition to Conan’s iconic sword, Cobb was responsible for all of Conan’s weapons, armor, architecture, and scenery.  3) Aliens’ Drop Ship Click here to purchase Aliens! As a concept artist on James Cameron’s Aliens (1986), Cobb designed the “Drop Ship,” the armored personnel carrier, some of the weapons, the interior/exterior sets, and vehicles of the earth colony complex.  2) Alien’s Nostromo Click here to purchase Alien! As a concept artist on Ridley Scott’s Alien (1978), Cobb conceived the interior and exterior of the infamous Nostromo ship—the film’s setting. That said, the ship’s aesthetic has influenced countless other sci-fi projects and the Alien franchise as a whole. Cobb was also the one to suggest the titular Alien’s blood be corrosive so that the crew couldn’t just shoot it dead.  1) Back to the Future’s DeLorean Click here to pre-order Back to the Future: The Ultimate Trilogy (4K)! Cobb created the initial design for the Back to the Future’s (1985) time-traveling De Lorean. Spielberg, a producer on the film, asked Cobb, “how he would make a DeLorean into a time machine?” He told Spielberg to make it look homemade like Doc Brown made it with stuff he picked up at Radio Shack. 

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