Jon Favreau Says The Mandalorian Season 3 is on Schedule To Film This Year While Disney+ hasn’t officially given a greenlight for The Mandalorian season 3, it’s basically a formality. Series creator and showrunner, Jon Favreau, began working on the season 3 scripts earlier this year (via SuperHeroHype). More recently, Favreau told Variety said that The Mandalorian season 3 is “on schedule…[to begin filming] before the end of the year.” RELATED: Din Djarin Shows the Way in The Mandalorian Season 2 Promo “We’re operating under the assumption that we’ll be able to go forward,” added Favreau. “We’re in very small situations and oftentimes we have a lot of characters in masks. And we also have a lot of digital work that augments things. So we’re a show that’s probably well-equipped to be flexible based on the protocols that are emerging surrounding work restarting.” Regarding rumors of a Mandalorian movie, Favreau noted that he’s not in a hurry to make one. “But we’re definitely open to it,” said Favreau. “And excited to see where the story leads us and have that flexibility — because there’s no rulebook now. Technology is always offering new opportunities to tell stories in a fresh way. It’s a very exciting time to be doing this and I feel very grateful that we’re able to be able to work remotely, because of the nature of the technology that we’re dealing with. So we’re continuing to try to move forward and keep the ball rolling, even though it’s been a challenging time for everyone.” However, The Mandalorian star Pedro Pascal was more enthusiastic about a potential film. “I think that the work is so beautiful that I would love for that to be held by a big-screen experience,” said Pascal. “But it seems to work so well that also I’m not sure it’s something that I would want corrupted by any kind of change, you know? I mean, I certainly know that the challenge can be met. It’s not like these people don’t have the experience. If anybody can do it, they can!” RELATED: The Mandalorian Season 2 Character Art Brings Out Your Inner Child The Mandalorian season 2 will premiere on Disney+ on October 30. New episodes will drop every Friday at midnight. What do you think about Favreau and Pascal’s latest comments? Let us know in the comment section below! Recommended Reading: Star Wars: The Bounty Hunter Code
ILM Explores the Making of the Razor Crest in a New Mandalorian Featurette The Child (a.k.a. Baby Yoda) may have stolen the spotlight from the title character throughout The Mandalorian’s first season. However, if it weren’t for the series’ true unsung hero, the Razor Crest, they never would have crossed paths in the first place. Mando’s ship certainly saw a lot of action last year, and it’s mostly thanks to the talented crew at ILM. Not surprisingly, a lot of work went into designing the bounty hunter’s space ride. But in a new 17-minute featurette, the designers themselves reveal how its creation hearkens back to old-school Star Wars filmmaking (via SuperHeroHype). The featurette includes interviews with several ILM staffers, including design supervisor Doug Chiang. According to Chiang, showrunner Jon Favreau already had a good idea of what he wanted the ship to look like. He was particularly fascinated by the A-10 Warthog, an Air Force plane with two large engines on its rear. Chiang’s team used this as their starting point. They also combined it with “WWII aesthetics” to indicate an “early” spaceship whose design might even pre-date the X-Wings. RELATED: Giancarlo Esposito Teases Future Seasons of The Mandalorian Military aircrafts provided a lot of inspiration to the team as they designed the Razor Crest. Model supervisor Jay Machado explained that they also studied “airport graveyards” to give it a more run-down appearance. Regardless, he admitted that it was “very difficult to make something so shiny look good in all these different environments.” In the long run, concept design supervisor Ryan Church says their goal was to make the vessel look “very intimidating and very strong.” What’s really interesting, however, is how the designers created a model of the Razor Crest for filming. As CGI technology has advanced over the years, this method has been used less and less. But with Favreau’s support, the team 3D-printed a miniature version of the ship, which paved the way for the studio’s first motion-control shoot in 15 years. The Mandalorian (and the Razor Crest) will return to Disney+ for its second season on October 30. You can watch the new featurette below, then share your thoughts in the comment section! Recommended Reading: Star Wars: The Bounty Hunter Code
John Powell Announces Expanded Score for Solo: A Star Wars Story! Composer John Powell announced on his Instagram page the release of Solo: A Star Wars Story: The Deluxe Edition, which will feature over two hours of his original score for the Ron Howard film! Check out the full announcement below. Here’s what Powell wrote on his post: “Solo: A Star Wars Story (The Deluxe Edition)Coming soon in 2020 to digital exclusive streaming and digital purchase: over 2 hours of original/unedited music from Solo: A Star Wars Story [as written for the film] All cues + the original unedited version of the end credits suite!” This is indeed exciting news. The score for Solo: A Star Wars Story remains one of the better efforts to come out of the recent batch of Star Wars flicks thanks to its exuberant style, luscious themes, and rip-roaring action music. John Williams wrote the main theme for the Han Solo character, but Powell, an under-appreciated composer if there ever was one, is credited with the bulk of the music. Directed by Ron Howard, the fun-filled galactic heist movie stars Alden Ehrenreich, Woody Harrelson, Emilia Clarke, Donald Glover, Thandie Newton, Phoebe Waller-Bridge, and Paul Bettany. Joonas Suotamo returns to play Chewbacca. RELATED: CS Unboxed: Diamond Select’s Chewbacca Statue From Solo Written by Jonathan Kasdan & Lawrence Kasdan, Solo: A Star Wars Story is produced by Kathleen Kennedy, Allison Shearmur, and Simon Emanuel. Lawrence Kasdan, Jason McGatlin, Phil Lord, and Christopher Miller are executive producers. To create the unique look of the film, some of the industry’s top talent was recruited, including Academy Award nominee Bradford Young, director of photography; two-time Academy Award-winning editor Pietro Scalia; Dominic Tuohy, special effects supervisor; Rob Bredow, visual effects supervisor; and John Powel, score composed and adapted by. They are joined by returning Star Wars veteran crew members: Neil Lamont, production designer; Neal Scanlan, special creature effects; David Crossman and Glyn Dillon, costume designers; Jamie Wilkinson, prop master; Lisa Tomblin-Fitzpatrick, hair designer; and Amanda Knight, makeup designer.